Impermanencia
2020, Monochrome video, color, PAL, 19:9, sound, running time 2.52 min. Directed by Susana Barbará, music by Ezrquiel Scillone, video editing by Susana Barbará.
Argentina, 1959. Nature sparks an artistic experience, which according to Hans-Georg Gadamer, represents a sort of extra methodical experience that confronts the original world of the artwork –which inherently references nature, fluidity– and the world of the author –the artist’s presence. Nature thus becomes emotion and truth,
giving way to a metaphysic space where aesthetic and philosophical experiences closely interact. Gadamer would consider that this makes us ponder beyond the realm of dreams, as artistic experiences are ‘of’ and ‘within’ the world and certainly represent ‘another truth’. Here is here the concept of impermanence emerges; everything is an ongoing process of transformation.
Argentina, 1959.
Video artist, Bachelor’s Degree in Visual Arts from the National University of the Arts.
Master’s Degree in sound art from the Quilmes National University, Argentina.
Nominee and winner of several national and international awards, including first prize at the Santa Cruz de La Sierra Biennial, Bolivia, and the Flavia Festival, Buenos Aires, Argentina, as well as a nomination at the O
